Musician and composer Manuel Saumell, who has been known as the initiator of nationalism within Cuban music, died on August 14, 1870 in Havana.
Alejo Carpentier in his book “Music in Cuba” pointed out that thanks to the work of Saumell the constituent elements of a Cubanness that were dispersed in the atmosphere and never left the dance houses to integrate a musical event full with implications were fixed and polished.
Likewise, music specialists in Cuba have highlighted that Manuel Saumell's rhythmic and melodic invention was astonishing. It must be remarked that he is also considered the father of the contradanse in Cuba.
He had a relatively short life. He was born in Havana in 1817 and died at the age of 53.
It has been said that he led a quite hectic life which limited his composition work. He also had to put up with a lot of hardship. He was a great worker, very sensitive and demanding with himself.
He studied piano, harmony, instrumentation, counterpoint and fugue. He played the piano in several Havanan churches, organized musical meetings, orchestrated, made musical arrangements and taught.
He was a man full with energy and dynamism. Apart from being a composer, he often performed as musician in cultural activities and offered numerous concerts.
In 1939, when he was 22 years, he tried to write an opera that would reflect a Cuban theme. In that sense, some investigators have said that Saumell had the purpose that the action of this work would be set in the island and it included characteristic elements of the everyday life of Cubans.
Among the works Saumell composed are Plegaria, for soprano and organ: Idilio, for violin and piano: Ave María, for voice and orchestra: and the contradanzas La Niña Bonita, Recuerdos tristes, Lamentos de Amor and Los Ojos de Pepa.