He was born on August 24,1919 and died in Havana on February 19th, 1963. Unanimously considered one of the top talented artists produced by our popular music. Brilliant in each and every musical gender. His name was Bartolomé Maximiliano Moré. Since his childhood he learned to play guitar, singing accompanied by it, feverishly, in parties and serenatas in Lajas and in neighbour towns. In 1940 he moved to Havana, where he was singing trovador style, in cafes, bars, streets and parks for some years.
In 1945 he went to Mexico the conjunto (musical group) conducted by Miguel Matamoros, staying there, where he performed in Aztec nite-clubs, until joining to Dámaso Pérez-Prado orchestra. With the King of Mambo he recorded several discs, made some films and successfuly sang for a while. He returned to Cuba and joined the Mariano Mererón Eastern Orchestra, but some months later he came back to Mexico, where he carried on his rising artistic life. In 1953 he returned to Cuba and worked with Bebo Valdés Orchestra. After this he settled his own orchestra, conquering the peak of fame and people´s love with it His style opened a way unknown to our chant and rhytm. Original personality. A path travelled by musical art among us.
His voice, that ran along all vocal register, tones and tempos, dubbed in phrases and shouts, accompanied by dance steps, creating a \"wrapping\" atmosphere. He switched from a soft song to guaguancó, almost without transition, getting a highest quality in both of them. Knowing no technique at all, he conducted his great orchestra, thus making a Cuban seal indeed. Known as «El bárbaro del ritmo». \"The Greatest of Rhytm\". He travelled many Latin American countries heading \"his tribe\" (the way he called his orchestra). Tall and thin, he dressed in quite a peculiar way, crowned by a huge-winged hat.